WRITING, an excerpt
Readers interested in DuPlessis’s work might want to look at The Pink Guitar: Writing as Feminist Practice (1990) as well as "ƒ-words: An Essay on the Essay," American Literature 68, 1 (March 1996): 15-45, and "Reader, I married me: A Polygynous Memoir," in Changing Subjects: The Making of Feminist Literary Criticism, eds. Gayle Greene and Coppélia Kahn. New York: Routledge, 1993: 97-111. Her work in the long poem, Drafts 1-38, Toll will be published by Wesleyan University Press in 2001
. Plum grainy
veins, unfathomable
noises, moues and wrinkle
winkle
Plumb line, pul-
sing, eye to eye, drinks
dusks of light.
One year after, like a punctuation; one month together, as if
these times had meaning, particular meaning, instead of an
arbitrary path cut through possibly a mistaken hole in the
floor, they thought the radiator was smaller, and there it
is, an unfilled circle ninety years old.
full moon, and hardness My mother I will, she said.
•
. word. Blue
(pants, trousers, cover-
alls) Blue, all )"There is Mr. Ashley, narrating
tempered drop his 'songs' or 'stories' in a
into gentle, sing-song chant--what
the morning bizniz sweet he terms 'vocal inflections
whistles, their hustle low that you might call singing.' "
the-y fl-y one (tows) three.
Stroke in the air, wobble
a tune, wow.
Two red tickets set at an angle--
•
Imbedding some extruding some the interplay between selection,
imbedding, and loss. Some few words, chosen, and why; but are
also chosen from, once the day was awash in pinpricks, a pull in
the back muscle, overlay and no experience. No experience because
all. Say. Saw. Operations. Addictions. And no shadow and it was
dark within this icy one knows brightness all disappearing
all intense writing what; does it save it? "diaristic" in
impulse, but unbargained, imponderable. Over written. Written
then over written, over ridden, the selection is one thing, this
(the globule, clot) another. Different plans and different pictures.
uneven picture patterns,
Most poetry something-- irregular blocks, a rebus
imagery, structure. trued, held in a rose-pink
border.
Dreaming I'm crying
it's she's crying.
. Snaggles, spiggles, stalks
peck out snow.
Fresh, purple, haiku,
heuristic.
birds . cumulus color of red sandstone, coal shale resume
they and close tabulated bunching resume
re they unfirm unpleasant undulant re who
tcho unconscious tcho
pattern up crests, its opposite pitter pity
hole in the touching hard and fast they poke a
house disperse little nest
thick places
bound to violent narratives.
Marginalia without a center? No beginning, No. No
. One word one ending? No, because form
"word" kkhkkhgggh at all times is instilled. O noble
Koré la la that ongo--
threaded into the dyad ingness that entrance into speaking
both ends beading, gleaming
gargle. Conventionally, "goo gah." encapsulated
eyes burning
Big finger to the little sleeping mouth
It was all cracking
makes sure,
the even silence breathing.
Narrative: the oedipal plot? ends by revealing the hidden
father. Pre-oedipal plot? the mother, hidden. Split subject:
"a living contradiction." A text to speak now, writing,
writing the sung-half song.