Deborah Woodard is currently a student in the English graduate program at the University of Washington. She has published a chapbook, The Book of Riddles (GUMBO: A Magazine of the Arts, 1980) and has work in the recent anthology Carrying the Darkness: American Indochina—The Poetry of the Vietnam War.

Working Notes

"A Trip She Took": unknown territory, a passage, then, akin to my mother's. Using all I had. A journal of hers that by accident came into my possession. A letter she'd tucked into the journal. Piano notes in the back. How to make her voice accessible to others. To know more and less than that voice.

A Trip She Took: My Mother's Southern Ghazals, excerpts

I.

 

It will come back,

come down the street on one leg & a wooden peg.

 

Nearing Jacksonville the soil is drier,

grassy fields with a slight roll.

 

The fields already plowed, dead brown leaves

thick and shining in the sun.

 

A white woman will wait on a Negro man in a dept. store.

I bleed occasionally.

 

Annie's tired.

The evening sun in our eyes as we walk back.

 

I love you. You are the true friend of my heart.

And through it all feeling as goofy as he.

 

Neat. Clean. Dialectical.

But the flux is a real flu--is it psychic or physical?

 

Pull your shoulder blades together

& await the return of picket lines.

 

III.

 

He writes down notes that bear upon the case.

The trunkful of documents.

 

The terraced garden--the tall pine woods beyond;

he seemed brilliant and "right" to his balanced wife.

 

Porkface cusses the waiter,

grabs bread from Greyhair's plate.

 

On a ramshackle porch in Georgia, a gaunt woman in a red robe

combing out her beautiful long hair.

 

Can't, can't, can't, can't.

Like hammerblows. Each incapacity equally important.

 

Miss Vaughn loves humanity:

When they passed away I decided to move to the hotel.

 

Very few human beings are handsome, one finds this out

on trams and buses.

 

I feel all dust.

And from the moment I hit town--dear God--the same blue funk.

 

V.

 

She moved easily, red skirt, pink blouse, shining white earrings.

He gave her a dollar.

 

In the gargoyle plaster hotels

30,000 soldier boys all far from home.

 

I have a set made every six months.

See the change in the human face.

 

Nature abhors a vacuum:

I was empty space in a cohesive mass.

 

Woke up each morning,

chest stuck full of hard fragments.

 

It's the end I'm unsure about. Watching pelicans

skim Miami Bay--the intense blue water--their heavy grace.

 

A lake, framed by great pines;

Spanish moss; the song of birds; sun.

 

Something happens but you don't do it.

The final resistance is Mother Earth.

References

During March-May 1943, my mother, Florence Gerald, toured several southern states as a union organizer.